{"id":7055,"date":"2018-11-06T13:50:44","date_gmt":"2018-11-06T21:50:44","guid":{"rendered":"http:\/\/dev.essaypop.com\/?p=7055"},"modified":"2020-07-11T14:40:40","modified_gmt":"2020-07-11T21:40:40","slug":"interpretation-the-art-of-explaining","status":"publish","type":"post","link":"https:\/\/blog.essaypop.com\/style-guide\/interpretation-the-art-of-explaining","title":{"rendered":"Interpretation: The Art of Explaining"},"content":{"rendered":"
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Remember, an essay is first and foremost a conversation among <\/span>three<\/b> parties. One party (perhaps the most important party) is you, the essayist. You have determined you have something important to say, and you\u2019ve taken the time <\/span>to<\/span>\u00a0put your ideas on paper. You\u2019re leading the discussion. <\/span><\/p>\n The second party (also very important) is your reader. To a large extent, your audience is the reason you write. You want to inform, persuade, or even entertain them. The third party (often not taken into consideration) is an author, scientist, writer, or other expert whom you quote or refer to during the course of your essay. <\/span><\/p>\n When you bring these folks into your writing, it\u2019s as though you\u2019re bringing a partner or even a team of experts into the discussion, and their voices become an important part of the discussion as well. Your role in this conversation is to help explain and facilitate the ideas being discussed.\u00a0 <\/span><\/p>\n The <\/span>interpretation <\/b>is where this explanation and facilitation happens.\u00a0 It is where <\/span>you<\/b> make sense of the evidence and research you have presented, and you do so in your own words. Interpretation might also be thought of as <\/span>commentary, insight,\u00a0 analysis, opinion, personal reaction, explanation, or evaluation.<\/b> During the interpretation, facts and evidence are explained to the reader by you in a way that only you can do. Interpretation is critical because it is what makes the essay yours; it brings your voice and personality into the paper.<\/span><\/p>\n It is your responsibility to provide your reader with insight and perspective, and this can be done in many ways. You may choose to summarize or paraphrase a research detail that you’ve presented. Then you might give an opinion or a commentary about what you have presented. Sometimes you may wish to agree with a research detail that’s been presented or, conversely, you may wish to present an opposing point of view.\u00a0<\/span><\/p>\n The interpretation is your opportunity to bring your own unique insight into the discussion. It is your opportunity to go deep\u00a0and to make substantive observations, comparisons, or new points altogether.\u00a0 And, as long as your interpretations are relevant to the point you are trying to make in the body paragraph, you can say almost anything you want.\u00a0<\/span><\/p>\n Do remember, however, that you don’t want to fill up the interpretation writing fields with just anything. You need to have a plan and an intention when you explain things to your reader. You want to be strategic and mindful of how you present your interpretations. The essaypop\u00a0 system will give you numerous strategies to do this. We hope that you will study the models we provide closely in order to understand how to incorporate solid interpretation within your body paragraphs.<\/span><\/p>\n The number of interpretations you use really depends on the purpose and scope of your writing.\u00a0 If you are writing a quick, short-constructed-response in class, you might only have time to write a quick, <\/span>basic research block<\/b> with just one research detail and one interpretation. If you have a little more time, you could go with an <\/span>extended research block<\/b> with one research detail and two interpretations. If you are writing a longer, multiple-paragraph paper, you could create a body paragraph that has five or six separate interpretations, or more.\u00a0 This section will provide you with a number of different models in which interpretations are used in different ways for different purposes. Incidentally, to ensure depth of analysis, we recommend that each interpretation range from<\/span> three to six sentences in length, and they can be even longer, depending on how much the writer has to say.\u00a0<\/span><\/p>\n One cool aspect of the essaypop system is that you can arrange your interpretations in any way you please. Using the action icon, you can alternate interpretations to follow multiple research details or you can stack interpretations, on top of one another, if you have a lot of personal insight to share. You can also arrange and rearrange interpretations by dragging the writing frame handle and dropping them wherever you would like them to go. And if you decide you don\u2019t want an extra interpretation, you can always delete it, again using the action icon. These functions give the essayist total flexibility in the writing process. <\/span>For ease of identification, interpretations are always highlighted in <\/span>light purple<\/span>.<\/span><\/p>\n Essaypop starts you off with <\/span>one<\/b> interpretation following each research detail which sets you up to write a basic research block (BRB).\u00a0 But if you need more, you can add a second, back-to-back interpretation. Why two interpretations? Well, writing two interpretations forces you to think, analyze, and explain in more depth. It encourages the essayist to elaborate.\u00a0 It\u2019s one thing to say \u201cthis proves\u201d and then add some interesting insight about your research detail, but by then adding \u201cthis <\/span>also<\/b> demonstrates\u201d to begin interpretation 2, you are now forced to go into more depth about the subject.\u00a0<\/span><\/p>\n As a rule of thumb, these combined interpretations will tend to be the longest portion of the body paragraph. We feel that this second interpretation is where the \u201cmagic\u201d happens. Teachers are fond of writing the comment, \u201cplease elaborate\u201d in the margins of student essays.\u00a0 The second interpretation sort of forces this elaboration to happen. INT 2\u00a0 is what turns the C+ essay into the A essay. It\u2019s what turns a mere scribbler into a legitimate essayist. <\/span><\/p>\n Take an example from a short, response-to-literature essay. \u00a0The first paragraph is a basic research block (a bridge, a research detail, one interpretation and a closer). \u00a0It is 102 words in length:<\/span><\/p>\n In her poem, \u201cMoon Tiger”, Denise Levertov provides the reader with some some very interesting clues as to the true and literal identity of the work\u2019s creeping tiger. <\/span>Consider the following \u00a0lines from the poem: “Look. Its white stripes\/ In the light that slid\/Through the jalousies”. <\/span>Levertov is inviting us to pay close attention to a very specific clue: the white stripes coming through the room\u2019s blinds. \u00a0It is a physical fact that moonlight becomes separated into lines that are projected onto the floor when they pass through louvered blinds (jalousies in this case).<\/span> Clearly, the moon tiger is this light.<\/span><\/p>\n The paragraph has structure and it does make an attempt to answer the question, but it comes up a little short in terms of what we call “depth of analysis”. \u00a0Watch what happens when a second <\/span>interpretation<\/span><\/span> is added:<\/span><\/p>\n In her poem, \u201cMoon Tiger”, Denise Levertov provides the reader with some very interesting clues as to the true and literal identity of the work\u2019s creeping tiger. <\/span>Consider the following lines from the poem: “Look. Its white stripes\/ In the light that slid\/Through the jalousies”. <\/span>Levertov is inviting us to pay close attention to a very specific clue: the white stripes coming through the room\u2019s blinds. \u00a0It is a physical fact that moonlight becomes separated into lines that are projected onto the floor when they pass through louvered blinds (jalousies in this case). \u00a0<\/span>The speaker in the poem seems to be a child who observes these lines of moonlight slowly traveling across her room; she imagines that they are the stripes of a tiger “prowling sleekly” across the room. \u00a0\u00a0Everything else in the poem, the small head, the large feet, the prowling, the sniffing, is all imagined by the child. The moon “tiger” is, very simply, the creation of a child’s overactive imagination and nothing else<\/span>.<\/span> <\/span><\/span>It’s amazing how poet’s often hide that which is obvious in plain sight, but few people seem to notice.<\/span><\/p>\n The second interpretation adds a depth of analysis that makes the paragraph seem more complete and insightful. Essentially, we\u2019ve gone from a basic research block to an extended research block. Whereas the first interpretation is more logical and literal, the second one makes an educated inference about the occupants of the room. The clues tell us that this must be a child\u2019s room.\u00a0\u00a0<\/span><\/p>\n Taken together, the writer\u2019s commentary is now more thought-out and coherent. It feels more complete.\u00a0 Moreover, the word count has increased from 102 words to 188. Over the course of an essay, this can make the difference that improves your grade. In fact, we feel that adding an interpretation or two\u00a0 is the single best way to add length to an essay.\u00a0 Remember, you can always add an interpretation using the action icon located in the upper-right corner of each writing frame.\u00a0 <\/span><\/p>\n Sometimes writers struggle with interpretations because they don’t know how to begin them. This is where the sentence starters come in. Oftentimes, just getting some help with starting and interpretation is all the writer needs to get the ideas flowing.\u00a0<\/span><\/p>\n Let’s say that you just quoted a prominent researcher about the toxic effects of rattlesnake venom on the human body. The focus of your paragraph (the POP) is a discussion of why humans are so mortally afraid of snakes. In this scenario, a simple sentence starter from the menu such as, \u201cthis shows\u201d,\u00a0 just might be what the writer needs to get the first interpretation flowing. Once done with this interpretation the writer might decide to add a second interpretation beginning with the sentence starter, \u201cthis also demonstrates\u201d, and then following that phrase with a new series of sentences explaining yet another interesting point of view about our fear of rattlesnakes.\u00a0 Take a look at the following model paragraph: <\/span><\/p>\n Formula: <\/b>\u00a0<\/span>B<\/span> + <\/span>RD<\/span> + \u00a0<\/span>INT<\/span> + <\/span>INT2<\/span> + <\/span>C<\/span>] There are, of course, a number of different rattlesnake characteristics that are repulsive to people. We’ve examined the scaly body, the triangular head, and the ominous sound of the rattle itself. But, it is the toxic venom that, for good reason, causes the most anxiety among most people. The fear is certainly justified, as rattlesnake venom is shockingly powerful stuff. <\/span>According to<\/b> Toxicologist, Dr. David Thoms of Northern Arizona University, \u201cSymptoms of a rattlesnake bite include temporary and\/or permanent tissue and muscle damage, loss of an extremity depending on the location of the bite, internal bleeding, and extreme pain around the injection area\u201d. (116)<\/span> <\/span><\/span>The evidence clearly shows<\/b> the devastating toxicity of rattlesnake venom. The idea that one might experience permanent damage, loss of feeling, or even painful internal bleeding is indeed a frightening prospect. And when you take a moment to imagine your own body succumbing to the poison and potentially failing altogether, it is a very sobering thought. <\/span><\/span>The idea of being poisoned by a creature in the wild unleashes our wildest and most primitive fears. It is why we are instinctively repulsed by scorpions, spiders, and insects. It is an unconscious element of our survival instinct that sets off loud alarm bells in our minds that we heed with a leap or a jump or a scream.<\/span> <\/span>Without question<\/b>, it is the rattlesnake’s venomous nature, in addition to its menacing looks, that cause people great despair when they encounter this creature.<\/span><\/span><\/p>\n \u00a0 \u00a0 \u00a0The sentence starters don\u2019t write your commentary for you, but they are good places to begin the expression that you would like to make. That is why we recommend that you look at the menu of sentence starters each time you begin your interpretation. You’ll be surprised at the different types of statements that you’ll come up with depending on the starters that you select. Eventually, you’ll develop your own mental list of favorite starters that you prefer to use. And we\u2019ll constantly update the starters for you. Ar essaypop, one of our favorite activities is to read through the morning newspapers and select starters that journalists are using and add them to the list.\u00a0 <\/span><\/p>\n When you access the action icon selections, one of the options available is <\/span>counterargument<\/b>; another is the <\/span>rebuttal<\/b>.\u00a0 When you present a counter-argument, you are essentially giving time to your opponent or a different point of view. (Counter-arguments and rebuttals are covered in more detail later).\u00a0\u00a0<\/span><\/p>\n Sometimes these counter-arguments feature an opponent\u2019s opinion and\/or commentary and are, therefore, somewhat similar to interpretation.\u00a0 Rebuttals,which are an essayist’s answer back to an opponent\u2019s counter-argument, may likewise use opinion, logic, and insight, as interpretation does, in order to make a point or refute an opponent\u2019s difference of opinion. So, while counter-arguments and rebuttals are not, technically speaking, interpretations, they may very well exhibit some of the same characteristics as interpretation. \u00a0 <\/span><\/p>\n Remember, a basic research block is the simplest and most elemental type of body paragraph. \u00a0You should master the BRB first, and then move onto more complex paragraphs.<\/span><\/p>\n Type of essay: \u00a0<\/b>response to literature Formula: <\/b>\u00a0<\/span>B<\/span> + <\/span>RD<\/span> + \u00a0<\/span>INT<\/span> + <\/span>C<\/span>] In her poem, \u201cMoon Tiger”, Denise Levertov provides the reader with some very interesting clues as to the true and literal identity of the work\u2019s creeping tiger.<\/span> <\/span>Consider the following lines from the poem: “Look. Its white stripes\/ In the light that slid\/Through the jalousies”.<\/span> Levertov is inviting us to pay close attention to a very specific clue: the white stripes coming through the room\u2019s blinds. \u00a0It is a physical fact that moonlight becomes separated into lines that are projected onto the floor when they pass through louvered blinds (jalousies in this case).<\/span> Clearly, the moon tiger is this light.<\/span><\/p>\n This INT is three-sentences long. The essayist keeps the analysis literal, discussing the physics of light passing through blinds in order to help the reader visualize the separation of light onto the floor. Because this interpretation is short and to the point, this is most likely this writing block resulted from a short constructed response or a timed, in-class writing assignment. <\/span><\/p>\n Type of essay: \u00a0<\/b>research\/expository Formula: <\/b>\u00a0<\/span>B<\/span> + <\/span>RD<\/span> + \u00a0<\/span>INT<\/span> + <\/span>C<\/span>] There are, of course, a number of different rattlesnake characteristics that are repulsive to people. We’ve examined the scaly body, the triangular head, and the ominous sound of the rattle itself. But, it is the toxic venom that, for good reason, causes the most anxiety among most people. The fear is certainly justified, as rattlesnake venom is shockingly powerful stuff.<\/span> <\/span>According to Toxicologist, Dr. David Thoms of Northern Arizona University, \u201cSymptoms of a rattlesnake bite include temporary and\/or permanent tissue and muscle damage, loss of an extremity depending on the location of the bite, internal bleeding, and extreme pain around the injection area\u201d. (116)<\/span> Dr. Thoms\u2019s evidence clearly shows the devastating toxicity of rattlesnake venom. \u00a0The idea that one might experience permanent damage, loss of feeling, or even painful internal bleeding is indeed a frightening prospect. And when you take a moment to imagine your own body succumbing to the poison and potentially failing altogether, it is a very sobering thought. <\/span>Without question, it is the rattlesnake’s venomous nature, in addition to its menacing looks, that cause people great despair when they encounter this creature.<\/span><\/span><\/p>\n The writer begins with a sentence starter from the pull-down menu – <\/span>Dr. Thoms\u2019s evidence clearly shows – <\/span><\/i>\u00a0then quickly paraphrases the expert\u2019s claims. Sometimes it is helpful to the reader to sum up what the research says in your own words. It helps them think about the information in a different way. The interpretation then provides a personal reaction to the alarming data. The commentary is meant to make the reader feel a little uneasy, which, believe it or not, is a good way to maintain the reader\u2019s attention. At just three sentences, this is considered a short INT, but it does the job in this case. \u00a0To further develop this paragraph, another interpretation could easily be added. Essaypop recommends that each interpretation range from 3 to 6 sentences in length to make sure you’re giving enough of your own analysis.<\/span><\/p>\n Type of essay: \u00a0<\/b>narrative procedure (how-to) Formula: <\/b>\u00a0<\/span>B<\/span> + <\/span>RD<\/span> + \u00a0<\/span>INT<\/span> + <\/span>C<\/span>] As unlikely as it seems, the type of bread you choose when creating the perfect peanut butter and jelly sandwich is as important as your choice of the peanut butter or jelly. We will be getting into these items a bit later.<\/span> According to the experts, a crusty loaf is too thick and will overwhelm the flavors of the peanut butter and jelly. Pumpernickel and rye are also unsuitable for this type of sandwich due to their strong flavors. Most PB and J aficionados prefer a simple, thin and soft white or wheat bread. Pepperidge farm plain white bread is considered by some to be the best choice. (Bon Appetit) <\/span>It may seem odd to put so much thought into choosing bread, but, as you can see, the experts are quite clear. Too much bread and you mask the flavor of the really important flavors (the PB & the J); too many strong flavors and you camouflage these ingredients as well. So it seems that for this particular sandwich, the quaint simplicity of good ol’ plain white is what the doctor ordered. <\/span><\/span>Undeniably, the smallest details, even the type of bread one chooses, are very important to understand when designing and creating the perfect peanut butter and jelly sandwich.<\/span><\/p>\n This INT provides a quick commentary about the RD (\u201cIt may seem odd\u201d), then reiterates some of the ideas from the RD in the writer\u2019s own words. The sentence starter, \u201cthe experts are quite clear\u201d, appears at the end of the first sentence, which is fine. The interpretation in this how-to paragraph really just paraphrases the research detail, but it does reflect in a slightly different light that makes the interpretation the writer\u2019s own. If there is any commentary here, it appears in the closing sentence.<\/span><\/p>\n Type of essay: \u00a0<\/b>persuasive Formula: <\/b>\u00a0<\/span>B<\/span> + <\/span>RD<\/span> + \u00a0<\/span>INT<\/span> + <\/span>C<\/span>What should I say during my interpretation?<\/span><\/h3>\n
How many interpretations does each Body paragraph need?<\/span><\/h3>\n
Need more words? Try two interpretations, back to back.<\/span><\/h3>\n
The power of sentence starters<\/span><\/h3>\n
\n<\/span>Word count:<\/b> 245<\/span><\/p>\nCounter-argument and Rebuttal as Interpretation<\/span><\/h3>\n
Paragraph models featuring an interpretation<\/span><\/h2>\n
Basic Research Blocks With a Single Interpretation<\/span><\/h3>\n
\nModel #1<\/span><\/h3>\n
\n<\/span>The prompt:<\/b> \u00a0In a concise, multiple-paragraph-essay, discuss and analyze the literal and figurative imagery used in Denise Levertov\u2019s poem, \u201cMoon Tiger\u201d. <\/span>
\n<\/b>The Pop: <\/b>The \u201ctiger\u201d is actually the moonlight on the floor separated through blinds.<\/span><\/p>\n
\n<\/span>Word count: <\/b>\u00a0102<\/span><\/p>\nNotes<\/span><\/h4>\n
\nModel #2<\/span><\/h3>\n
\n<\/span>The prompt:<\/b> \u00a0In class, we have read a number of interesting articles about animals that use venom to hunt and\/or protect themselves. \u00a0In a concise, multiple-paragraph-essay, share some insights on one of the animals you read about.
\n<\/span>The Pop: <\/b>Rattlesnake venom is shockingly powerful stuff. <\/span><\/p>\n
\n<\/span>Word count: <\/b>\u00a0185<\/span><\/p>\nNotes<\/span><\/h4>\n
\nModel #3<\/span><\/h3>\n
\n<\/span>The prompt:<\/b> \u00a0In a concise, step-by-step, multiple-paragraph-essay, describe how to prepare a favorite food item. <\/span>
\n<\/b>The Pop: \u00a0<\/b>When making a PB & J, the type of bread you use is very important.<\/span><\/p>\n
\n<\/span>Word Count:<\/b> \u00a0205<\/span><\/p>\nNotes<\/span><\/h4>\n
\nModel #4<\/span><\/h3>\n
\n<\/span>The prompt:<\/b> \u00a0In a concise, multiple-paragraph-essay, take a stand on whether or not you believe public schools should be allowed to require students to wear school uniforms.
\n<\/span>The Pop: \u00a0<\/b>Mandated dress codes in public schools are a violation of students\u2019 civil rights. <\/span><\/p>\n